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This display will present a selection of drawings on blue paper from The Courtauld’s collection, ranging from works by the Venetian Renaissance artist Jacopo Tintoretto to a watercolor by famed English Artist Joseph Mallord William Turner.

Made from fibers derived from blue rags, blue paper first appeared in Northern Italy in the 14th century. It became a popular drawing support for artists, and its use spread across Western Europe by the late 16th century; it was widely used in England and France in the 18th century. Blue paper provided a nuanced mid-tone which allowed the creation of strong light and dark contrasts, an effect much sought after by draughtsmen.

This exhibition project brought together a team of curators and paper conservators at The Courtauld and the J. Paul Getty Museum to explore the technical aspects and artistic richness of the use of blue paper.  

The programme of displays in the Gilbert and Ildiko Butler Drawings Gallery is generously supported by the International Music and Art Foundation, with additional support from James Bartos. 

Image: Jonathan Richardson, the elder (1665 – 1745), Self-portrait, The Courtauld, London (Samuel Courtauld Trust)

Current, Exhibitions
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Drawn to Blue: Artists’ use of blue paper

This display will present a selection of drawings on blue paper from The Courtauld’s collection, ranging from works by the Venetian Renaissance artist Jacopo Tintoretto to a watercolor by famed English Artist Joseph Mallord William Turner.

Made from fibers derived from blue rags, blue paper first appeared in Northern Italy in the 14th century. It became a popular drawing support for artists, and its use spread across Western Europe by the late 16th century; it was widely used in England and France in the 18th century. Blue paper provided a nuanced mid-tone which allowed the creation of strong light and dark contrasts, an effect much sought after by draughtsmen.

This exhibition project brought together a team of curators and paper conservators at The Courtauld and the J. Paul Getty Museum to explore the technical aspects and artistic richness of the use of blue paper.  

The programme of displays in the Gilbert and Ildiko Butler Drawings Gallery is generously supported by the International Music and Art Foundation, with additional support from James Bartos. 

Image: Jonathan Richardson, the elder (1665 – 1745), Self-portrait, The Courtauld, London (Samuel Courtauld Trust)

Date

October 4, 2024 – January 26, 2025

Venue
Address
The Courtauld Institute of Art, Somerset House, Strand
London, WC2R 0RN United Kingdom
Rates
Included with General Admission

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