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This display celebrates the unique Mescaline Drawings by the Franco-Belgian poet and visual artist, Henri Michaux (1899 -1984).  

In January 1955, as part of an experiment prompted by his publisher, Michaux tried the psychedelic drug mescaline, a product derived from the Mexican peyote cactus. The aim of the experiment was to investigate the effect of this type of non-addictive drug on the creative act. Michaux considered these experiences to be a portal into the inner workings of the mind.  

The investigation transformed Michaux’s artistic life and provoked an outpouring of writings and distinctive drawings during the 1950s and 1960s, the latter being at the centre of this exhibition. Created after the effects of mescaline (and at times other drugs such as hashish, LSD, and psilocybin) had passed, the drawings are the astonishing transcriptions of the artist’s sensation, rendered as if by a sort of shuddering seismograph. 

This display, which presents works rarely seen in the UK, will showcase Michaux’s extraordinary experience, one that pushed the limits of what the essence of drawing is.

Image: Henri Michaux (1899-1984), Untitled (Mescaline drawing)(detail), 1957, pen and black ink on paper. Promised gift by Linda Karshan in memory of her husband, Howard Karshan. On long-term loan to The Courtauld Gallery, London © ADAGP, Paris and DACS, London 2024

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Henri Michaux: Mescaline Drawings

This display celebrates the unique Mescaline Drawings by the Franco-Belgian poet and visual artist, Henri Michaux (1899 -1984).  

In January 1955, as part of an experiment prompted by his publisher, Michaux tried the psychedelic drug mescaline, a product derived from the Mexican peyote cactus. The aim of the experiment was to investigate the effect of this type of non-addictive drug on the creative act. Michaux considered these experiences to be a portal into the inner workings of the mind.  

The investigation transformed Michaux’s artistic life and provoked an outpouring of writings and distinctive drawings during the 1950s and 1960s, the latter being at the centre of this exhibition. Created after the effects of mescaline (and at times other drugs such as hashish, LSD, and psilocybin) had passed, the drawings are the astonishing transcriptions of the artist’s sensation, rendered as if by a sort of shuddering seismograph. 

This display, which presents works rarely seen in the UK, will showcase Michaux’s extraordinary experience, one that pushed the limits of what the essence of drawing is.

Image: Henri Michaux (1899-1984), Untitled (Mescaline drawing)(detail), 1957, pen and black ink on paper. Promised gift by Linda Karshan in memory of her husband, Howard Karshan. On long-term loan to The Courtauld Gallery, London © ADAGP, Paris and DACS, London 2024

Date

February 12, 2025 – June 4, 2025

Venue
Address
The Courtauld Institute of Art, Somerset House, Strand
London, WC2R 0RN United Kingdom
Rates
Included with General Admission

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