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DTSTART;TZID=America/New_York:20250205T173000
DTEND;TZID=America/New_York:20250205T183000
DTSTAMP:20260608T033422
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SUMMARY:Book Launch: The Farnese Drawings Collection
DESCRIPTION:Join author Claire Van Cleave for the launch of her much anticipated publication: \n \nThe Farnese Drawings Collection\, Editori Paparo\, Naples\, 2025 \nThe Farnese Drawings Collection chronicles the rise and fall of the drawings collected in the Palazzo Farnese\, Rome from the heyday of Farnese power in the sixteenth and early seventeenth centuries through to the remnants of the collection now held in the Museo e Real Bosco di Capodimonte\, Naples. At its peak\, the collection included over 850 works on paper by Leonardo da Vinci\, Michelangelo\, Raphael\, Parmigianino\, Jacopo Bertoia\, Giulio Clovio\, Sofonisba Anguissola\, Annibale Carracci\, Albrecht Dürer\, and other great artists of the period\, but today only 57 drawings with a Farnese provenance are identifiable in Capodimonte collections. \nThe book\, published in English and Italian editions\, is comprised of two parts: a history of the collection and a catalogue of the drawings with a Farnese provenance remaining at Capodimonte. The opening chapters explore the intellectual atmosphere of the Palazzo Farnese during the age of Pope Paul III and the Farnese cardinals Ranuccio\, Alessandro\, and Odoardo. This is augmented by an in-depth study of three men who worked for the family and collected drawings under Farnese patronage: the major domo Conte Ludovico Tedesco\, the resident artist Giulio Clovio\, and the curator and librarian Fulvio Orisini\, and suggests that the connection each of these erudite men had with each other and also with Tommaso de’ Cavalieri created a uniquely learned environment within the palace for collecting works on paper. The scope of the original collection and its later demise is examined through contemporary inventories and archival documents. The catalogue identifies Farnese drawings in the Capodimonte collections\, taking into consideration recent publications\, and explores each sheet in terms of attribution\, style\, subject\, and how it might relate to Farnese collecting. The catalogue proposes a number of updated attributions\, including drawings newly ascribed to Parmigianino\, Bartolomeo Passarotti\, and Giovanna Garzoni. \n_ \nDr Claire Van Cleave is an independent scholar with an expertise in the study of Italian drawings. Her book is novel in its appraisal of the Farnese drawings collection as a stand-alone subject. Detached from wider Farnese studies\, the importance of the collecting of drawings within the Palazzo Farnese and its impact on the nascent history of collecting Italian drawings in Rome during the sixteenth century is given its rightful stage. Van Cleave’s book is much more than a traditional museum catalogue as it also traces the social history and cultural circumstances which influenced collecting within the palace. Richly illustrated\, it is a significant update to earlier Capodimonte publications on drawings and an important new addition to Farnese literature. \n_ \nThis event is organized by The Drawing Foundation in association with Master Drawings New York 2025. Thank you to Stephen Ongpin Fine Art for their generosity on hosting this event in their exhibition at Adam Williams Fine Art. \n   \n__ \nImage: Cover detail from The Farnese Drawings Collection\, Dr. Claire Van Cleave\, Editori Paparo\, Naples\, 2025 \n\nEvent registration begins on Thursday\, January 9 at 1pm.\nSign up for our mailing list or become a member to receive registration reminders.
URL:https://thedrawingfoundation.org/event/book-launch-the-farnese-drawings-collection/
LOCATION:Stephen Ongpin Fine Art\, Exhibiting at Adam Williams Fine Art\, 24 East 80th Street\, New York\, NY\, 10075\, United States
CATEGORIES:Events
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DTSTART;TZID=America/New_York:20250204T180000
DTEND;TZID=America/New_York:20250204T190000
DTSTAMP:20260608T033422
CREATED:20250107T060044Z
LAST-MODIFIED:20250205T042723Z
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SUMMARY:Sonia Delaunay: Simultaneity
DESCRIPTION:Exhibition Tour for Sonia Delaunay: Simultaneity\nOn view January 31-March 7\, 2025 \nJill Newhouse Gallery\, in association with Galerie Zlotowski\, Paris\, will present the first New York exhibition and sale of 25 works on paper by Sonia Delaunay\, the pioneering abstract painter whose ideas of “Simultaneity” helped to redefine cubism and the abstract art of the 1920s.  Delaunay’s art includes designs for textiles\, book illustrations and fashion\, and in the use of bright color and soft mobile forms\, her art expresses the unique vibrancy of modern life. \nA fully illustrated digital catalogue with an essay by Isabelle Dervaux “Sonia Delaunay and the United States” will be available. \n__ \nThis event is organized by Jill Newhouse Gallery and The Drawing Foundation in association with Master Drawings New York 2025. \n    \nImage: Sonia Delaunay (French\, born Ukraine\, 1885-1979)\, Rhythm in Color (Rythme couleur)\, 1970. Gouache\, ink and pencil on paper.
URL:https://thedrawingfoundation.org/event/sonia-delaunay-simultaneity/
LOCATION:Jill Newhouse Gallery\, 4 East 81st Street\, New York City\, NY\, 10028\, United States
CATEGORIES:Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250131T123000
DTEND;TZID=America/New_York:20250131T133000
DTSTAMP:20260608T033422
CREATED:20241217T052801Z
LAST-MODIFIED:20251210T031538Z
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SUMMARY:Crosscurrents: Cultural Exchange in the Eighteenth Century
DESCRIPTION:The eighteenth century was a time of great cross-cultural exchange\, in Europe and beyond. Artists from England and Northern Europe embarked on their Grand Tours of Italy to steep themselves in the classical monuments and landscapes\, while other artists traveled north to seek out royal and elite patronage\, prestigious commissions in flourishing academies\, and in search of inspiration in new places.  This multifaceted cultural exchange was further expanded by artists’ encounters with diverse cultures\, in colonies or through exported goods. Join us for a panel discussion between scholars and dealers to discuss the importance of drawing from this period of travel and enrichment. \nPanelists:\nLaurel O. Peterson\, Assistant Curator\, Yale Center for British Art\, New Haven\nAlan Templeton\, Collector\nJonny Yarker\, Libson & Yarker\, London \nModerated by: Daniella Berman\, PhD.\, Head of Special Projects and Strategic Initiatives\, The Drawing Foundation \n_ \nLaurel O. Peterson is the Assistant Curator of Prints and Drawings at the Yale Center for British Art. She specializes in British works on paper produced during the long eighteenth century. Her current exhibition projects include Painters\, Ports\, and Profits: Artists and the East India Company\, 1760–1830 (YCBA\, January 2026)\, co-curated with Holly Shaffer (Brown) and Michel Jean Cazabon (1813-1888). Previously\, she served as the organizing curator of John Singer Sargent: Portraits in Charcoal (2019) and as co-curator of Architecture\, Theater\, and Fantasy: Bibiena Drawings from the Jules Fisher Collection (2021)\, both at the Morgan Library & Museum. \nAlan Templeton has been collecting art since 2000\, mainly to benefit the museums of Northern California. He has been a guest curator at both the Crocker Art Museum and the UC Berkeley Art Museum\, including monographic exhibits on William Hogarth and Giovanni Battista Piranesi. He exhibited his own original artwork\, 1987 onwards\, and his drawings were represented by the Vorpal Gallery\, 1997-2002. \nJonny Yarker is a leading dealer in British art\, he has written extensively on British art of the eighteenth century and the Grand Tour in particular. He is currently working on a book-length study of the British community in Rome entitled: Savage Pilgrims: Rome\, The British and the Grand Tour 1750 – 1798. \nDaniella Berman is a specialist of European art of the eighteenth and nineteenth centuries. She has contributed to numerous exhibitions and publications in addition to serving as Vice President of the Historians of Eighteenth-Century Art & Architecture (HECAA) and a board member of the Association of Historians of Nineteenth-Century Art (AHNCA). She is The Drawing Foundation’s Head of Special Projects and Strategic Initiatives. \n_ \nThis event is organized by The Drawing Foundation in partnership with The Winter Show\, and in association with Master Drawings New York 2025. \nThis event is free with admission to The Winter Show. \n        \nImage: Rosalba Carriera (1673–1757)\, Alan Brodrick\, 2nd Viscount Midleton (detail)\, 1725. Pastel on grayish laid paper\, laid down to canvas. Crocker Art Museum\, Gift of Alan Templeton\, 2023.76.1 \n.
URL:https://thedrawingfoundation.org/event/tws-crosscurrents-cultural-exchange-in-the-eighteenth-century/
LOCATION:The Winter Show\, Park Avenue Armory\, 643 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Events,Recordings
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DTSTART;TZID=America/New_York:20241028T143000
DTEND;TZID=America/New_York:20241028T160000
DTSTAMP:20260608T033422
CREATED:20241202T044901Z
LAST-MODIFIED:20241216T045211Z
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SUMMARY:Talking Drawings: Beyond Paper
DESCRIPTION:  \nThis event was part of On Drawings 2024 programming \nMichael Findlay\, Director of Acquavella Galleries\, and Jacob El Hanani\, artist\, in a conversation moderated by Elizabeth Pergam\, Co-Chair of The Society for the History of Collecting and founder of its Americas Chapter. \n“Drawings” and “works on paper” are often used interchangeably; Jacob El Hanani’s practice\, most recently seen in his fifth solo show Drawing on Canvas at Acquavella\, challenges that restrictive definition. Likewise\, his work defies the reductive binaries of representation/abstraction\, text/image\, and microscopic/macroscopic. How does challenging the norms of artistic production impact an artist’s relationship with collectors? What is the role of the artist’s gallery in guiding collector’s appreciation of his work? Join us for a conversation with Jacob El Hanani and Michael Findlay\, moderated by Elizabeth Pergam as part of The Drawing Foundation’s On Drawings\, 2024\, presented by The Society for the History of Collecting. \nJacob El Hanani (b. 1947)\, was born in Morocco and received his artistic training at the Avni School of Fine Arts\, Tel Aviv\, and the École des Beaux Arts\, Paris\, before settling in New York in the early 1970s. He has been showing with Acquavella since 2015 and his work is in many New York collections\, including The Museum of Modern Art\, The Jewish Museum\, and The Whitney Museum of American Art. \nMichael Findlay\, Director of Acquavella Galleries\, has been a key figure in the New York art world since his arrival in 1964 and his first gallery job with Richard Feigen. A poet and author\, his most recent book\, Portrait of the Art Dealer as a Young Man: New York in the Sixties (Prestel\, 2024)\, is a lively account of the gallerists\, artists\, and collectors who made the City the center of contemporary art. \nElizabeth Pergam is Co-Chair of The Society for the History of Collecting and founder of its Americas Chapter. Her edited volume\, Drawing in the Twenty-First Century: The Politics and Poetics of Contemporary Practice (Ashgate\, 2014) explores the expanded field of contemporary drawing. \nPresented in partnership with The Society for the History of Collecting \n \nThis event is sponsored by Master Drawings New York \n \n  \nImage: Jacob El Hanani\, Quadric Urban Landscape (detail)\, 2023\, ink on gessoed canvas\, 48 x 48 inches (121.9 x 121.9 cm). © Jacob El Hanani\, Courtesy Acquavella Galleries
URL:https://thedrawingfoundation.org/event/talking-drawings-beyond-paper/
LOCATION:Italian Cultural Institute in New York\, 686 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Events,Recordings
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DTSTART;VALUE=DATE:20241028
DTEND;VALUE=DATE:20241030
DTSTAMP:20260608T033422
CREATED:20240927T211933Z
LAST-MODIFIED:20241114T171025Z
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SUMMARY:On Drawings 2024: Event Program
DESCRIPTION:On Drawings 2024 \nThe Drawing Foundation invites you to On Drawings. Join us in New York City on October 28th and 29th for two days of events and conversations among curators\, collectors\, conservators\, and artists focused on historical\, modern\, and contemporary drawings. The full schedule of partners and events is listed below. Scroll to the bottom of this page for full text descriptions for each of the events. \nRegistration is now CLOSED.  \nMonday\, October 28 \n10:30am\nDiscovering Drawings in What It Becomes at the Whitney Museum of American Art\nLed by Scout Hutchinson\, exhibition curator & Associate Curator\, Parrish Art Museum \n11am\nDrawing Trouble: Fakes\, Forgeries\, and Close Looking at Old Master Drawings**\nLed by John Marciari\, Director of Curatorial Affairs & Head of Department\, Drawings and Prints\, Morgan Library and Museum\n**Space is limited. Priority for this workshop will be given to curators responsible for drawing collections and emerging scholars. Instructions for applying for consideration for the workshop will be provided in the registration form.\n \n2:30pm\nTalking Drawings: Beyond Paper\nPresented in partnership with The Society for the History of Collecting\nMichael Findlay\, Director of Acquavella Galleries\, and Jacob El Hanani\, artist\, in a conversation moderated by Elizabeth Pergam\, Co-Chair of The Society for the History of Collecting and founder of its Americas Chapter.\nThis event is sponsored by Master Drawings New York. \n5:30pm\nThe Salon du Dessin‘s Contributions: A History of the Market for Drawings in France\nPresented in partnership with the Salon du Dessin\nLecture by Hervé Aaron\, president of Didier Aaron and honorary (former) president of the Salon du Dessin\, and Louis de Bayser\, president of the Salon du Dessin and FAB Paris\nThis event is sponsored by the Salon du Dessin. \n6:45pm\nWelcome Reception sponsored by the Salon du Dessin \n__ \nTuesday\, October 29 \n10am\nThinking About Process & Drawings: Site Visits\nParticipants will select one site visit upon registration. Space is limited; register early to reserve a space in your first choice site visit. Among others\, options include: \n\nThe Drawings of Sèvres Extraordinaire with the Bard Graduate Center\nwith Charlotte Vignon\, independent curator & former director of the department of patrimony and collections at Sèvres et Limoges\, Manufacture et Musées nationaux (2020-2023) \n\nDrawings by Indigenous Artists at MoMA\, Past and Present\nwith Esther Adler\, Curator\, Drawings and Prints\, The Museum of Modern Art\n\nParis through the Eyes of Saint-Aubin\nwith Perrin Stein\, Curator\, Drawings and Prints\, The Metropolitan Museum of Art\nDrawing to Print: Looking at Grosvenor School Artists\nwith Jennifer Farrell\, Curator\, Drawings and Prints\, and Rachel Mustalish\, Sherman Fairchild Conservator in Charge\, Sherman Fairchild Center for Conservation of Work of Art on Paper\, The Metropolitan Museum of Art \n\n\n3pm\nBeyond Boundaries: Approaches to Contemporary Drawings\nPresented in partnership with the Conservation Center of the Institute of Fine Arts\, New York University\nRachel Federman\, art historian\, writer\, and curator\, Lindsey Tyne\, Conservation Librarian at New York University Libraries\, Barbara Goldsmith Preservation and Conservation Department\, and Annabel Daou\, artist and adjunct association in the art history department\, Barnard College with a discussion moderated by Lisa Conte\, Assistant Professor of Paper Conservation and Co-Chair of the Conservation Center of the Institute of Fine Arts \n5pm\nClosing Reception sponsored by Master Drawings New York \n__ \nEvent Partners: \n             . \n  \n              \nEvent Sponsors: \n         \n  \n•••••••• \nFULL ON DRAWINGS 2024 PROGRAM\nEvent locations will be provided to registered participants \n  \nMonday\, October 28\n___ \n \n10:30am\nDiscovering Drawings in What It Becomes at the Whitney Museum of American Art\nLed by Scout Hutchinson\, exhibition curator & Associate Curator\, Parrish Art Museum \nThis tour with exhibition curator Scout Hutchinson will offer insight into the drawings from the Whitney’s collection that shed light on the creative process. From the exhibition description: “As an act of direct mark making\, drawing offers an immediate and spontaneous way for ideas to unfold and images to come into being.” The exhibition focuses on “the medium’s potential to illustrate change\,” and the tour will shed light on the relationship between these drawings and the notion of drawing in other media.” \nScout Hutchinson is an Associate Curator at the Parrish Art Museum (Water Mill\, NY). Previously she was a Curatorial Fellow at the Whitney Museum of American Art (New York\, NY)\, where she oversaw the Sondra Gilman Study Center for works on paper. \n \n___ \n \n11am\nDrawing Trouble: Fakes\, Forgeries\, and Close Looking at Old Master Drawings\nLed by John Marciari\, Director of Curatorial Affairs & Head of Department\, Drawings and Prints\, Morgan Library and Museum \nFor as long as there have been collectors of old master drawings\, there have been forgeries introduced to the market. This workshop will examine the phenomenon\, looking at examples ranging from the seventeenth century to today\, discussing some of the ways in which forgeries have been detected\, and making a plea for the lasting value of connoisseurship. \nJohn Marciari is the Director of Curatorial Affairs at the Morgan Library and Museum and the Head of the Department of Drawings and Prints. His recent projects include studies of the drawings of Piranesi\, Tiepolo\, and Guercino as well as the Morgan’s exhibitions celebrating major promised gifts from the Eveillard and Moore collections. \n** Space is limited. Priority for this workshop will be given to curators responsible for drawing collections and emerging scholars. Instructions for applying for consideration for the workshop will be provided in the registration form. \n \n___ \n \n2:30pm\nTalking Drawings: Beyond Paper\nPresented in partnership with The Society for the History of Collecting\nMichael Findlay\, Director of Acquavella Galleries\, and Jacob El Hanani\, artist\, in a conversation moderated by Elizabeth Pergam\, Co-Chair of The Society for the History of Collecting and founder of its Americas Chapter. \n“Drawings” and “works on paper” are often used interchangeably; Jacob El Hanani’s practice\, most recently seen in his fifth solo show Drawing on Canvas at Acquavella\, challenges that restrictive definition. Likewise\, his work defies the reductive binaries of representation/abstraction\, text/image\, and microscopic/macroscopic. How does challenging the norms of artistic production impact an artist’s relationship with collectors? What is the role of the artist’s gallery in guiding collector’s appreciation of his work? Join us for a conversation with Jacob El Hanani and Michael Findlay\, moderated by Elizabeth Pergam as part of The Drawing Foundation’s On Drawings\, 2024\, presented by The Society for the History of Collecting. \nJacob El Hanani (b. 1947)\, was born in Morocco and received his artistic training at the Avni School of Fine Arts\, Tel Aviv\, and the École des Beaux Arts\, Paris\, before settling in New York in the early 1970s. He has been showing with Acquavella since 2015 and his work is in many New York collections\, including The Museum of Modern Art\, The Jewish Museum\, and The Whitney Museum of American Art. \nMichael Findlay\, Director of Acquavella Galleries\, has been a key figure in the New York art world since his arrival in 1964 and his first gallery job with Richard Feigen. A poet and author\, his most recent book\, Portrait of the Art Dealer as a Young Man: New York in the Sixties (Prestel\, 2024)\, is a lively account of the gallerists\, artists\, and collectors who made the City the center of contemporary art. \nElizabeth Pergam is Co-Chair of The Society for the History of Collecting and founder of its Americas Chapter. Her edited volume\, Drawing in the Twenty-First Century: The Politics and Poetics of Contemporary Practice (Ashgate\, 2014) explores the expanded field of contemporary drawing. \nThis event is sponsored by Master Drawings New York. \n___ \n \n5:30pm\nThe Salon du Dessin’s Contributions: A History of the Market for Drawings in France\nPresented in partnership with the Salon du Dessin\nLecture by Hervé Aaron\, president of Didier Aaron and honorary (former) president of the Salon du Dessin\, and Louis de Bayser\, president of the Salon du Dessin and FAB Paris \nSince its first iteration in 1991\, the Salon du Dessin made an important intervention into the French art world and contributed to an increasingly energetic interest in drawings in particular. The international fair now brings collectors\, specialists\, curators\, scholars and connoisseurs from all over the world. This lecture will offer an overview of the history art market in France for old master and modern drawings and insights into the contributions of the Salon du Dessin among other trends. \nBorn in Paris in 1972\, Louis de Bayser hails from a dynasty of world-renowned art dealers. Shortly after completing his business studies\, he set off to become an Old Master Drawing expert following the footsteps of his ancestors. In 1998\, together with three of his brothers (he is one of eleven children)\, he took over the prestigious Galerie de Bayser which had been run by his parents\, Bruno & Thérèse de Bayser since the 1960s. The Parisian gallery was originally created in 1936 by Louis’ grandparents\, Patrick and Rose-Anne de Bayser. \nAppointed President of the Salon du Dessin in 2014\, Louis de Bayser was instrumental in the creation of Fine Arts Paris in 2017 and became the fair’s president the same year. Over the past years\, he has played a major role in ensuring the rapid growth of these two Paris fairs and expanding their international reputation. Following the fusion of Fine Arts Paris with La Biennale in February 2022\, he was chosen as President of the new fair\, Fine Arts Paris & La Biennale\, renamed FAB Paris in 2023. \nHervé Aaron is the New York-based president of the Didier Aaron gallery\, founded in 1923 and specializing in the sale of paintings\, drawings and sculptures from the 17th to the 19th centuries\, with offices in Paris and New York. He represents the third generation of this family of art dealers. Involved in promoting France abroad with the Comité Colbert and the French art market\, he was one of the founding members of the Salon du Dessin in 1991\, which he chaired for 17 years\, and was president of the Syndicat National des Antiquaires from 2008 to 2010\, in charge of organizing the Biennale des Antiquaires’. \nThis event is sponsored by the Salon du Dessin. \n___ \n6:45pm\nWelcome Reception sponsored by the Salon du Dessin \n__________ \nTuesday\, October 29\n___ \n \n10am\nThinking About Process & Drawings: Site Visits\nParticipants will select one site visit upon registration. Space is limited; register early to reserve a space in your first choice site visit. \n\nThe Drawings of Sèvres Extraordinaire at the Bard Graduate Center\nwith Charlotte Vignon\, independent curator & former director of the department of patrimony and collections at Sèvres et Limoges\, Manufacture et Musées nationaux (2020-2023)\nDrawings by Indigenous Artists at MoMA\, Past and Present\nwith Esther Adler\, Curator\, Drawings and Prints\, The Museum of Modern Art\nParis through the Eyes of Saint-Aubin\nwith Perrin Stein\, Curator\, Drawings and Prints\, The Metropolitan Museum of Art\n\n\nDrawing to Print: Looking at Grosvenor School Artists\nwith Jennifer Farrell\, Curator\, Drawings and Prints\, and Rachel Mustalish\, Sherman Fairchild Conservator in Charge\, Sherman Fairchild Center for Conservation of Work of Art on Paper\, The Metropolitan Museum of Art \n___ \n\n\n \n3pm\nBeyond Boundaries: Approaches to Contemporary Drawings\nPresented in partnership with the Conservation Center of the Institute of Fine Arts\, New York University\nRachel Federman\, art historian\, writer\, and curator; Lindsey Tyne\, Conservation Librarian at New York University Libraries\, Barbara Goldsmith Preservation and Conservation Department; and Annabel Daou\, artist and adjunct association in the art history department\, Barnard College. With a discussion moderated by Lisa Conte\, Assistant Professor of Paper Conservation and Co-Chair of the Conservation Center of the Institute of Fine Arts. \nBeyond Boundaries will offer three perspectives on the question “what IS a drawing?”. Curator Rachel Federman\, conservator Lindsey Tyne\, and artist and professor Annabel Daou will offer perspectives on the myriad types of objects and practices that fall under the category of “drawings.” Moving beyond traditional approaches like ink on paper\, this discussion will focus on drawing as experimentation in the broadest sense; we will consider works that  incorporate unconventional  mediums such as natural elements (e.g.\, ash or tar)\,  bodily fluids\, and familiar materials used in novel ways. We will examine the attendant conservation challenges posed by these materials\, while reframing drawing not just as a preparatory process\, but also as both a performance and an autonomous object of value. \nRachel Federman is an art historian\, writer\, and curator. She has curated solo exhibitions of Bruce Conner\, Maurice Sendak\, Bridget Riley\, and the previously unknown Beat-era draftsman Rick Barton. Her current curatorial project is “Helène Aylon: Undercurrent\,” at Princeton University. It is the first solo museum exhibition of the American ecofeminist artist in almost fifty years. Federman has published essays on Bruce Conner\, Jean Conner\, Jay DeFeo\, Richard Diebenkorn\, Paul McCarthy\, Allen Ruppersberg\, and Betye Saar\, among others. She is currently writing a biography of the pioneering American artist and art dealer Betty Parsons. Federman holds a PhD from the Institute of Fine Arts at New York University. \nLindsey Tyne is the Conservation Librarian at New York University Libraries where she leads the Special Collections Conservation Unit in the Barbara Goldsmith Preservation and Conservation Department. Lindsey holds an M.A. in Art History and an Advanced Certificate in Conservation from the Conservation Center\, Institute of Fine Arts\, New York University\, where she is currently an adjunct faculty member. She holds a B.F.A. from Pratt Institute. Prior to her current position\, Lindsey was the Associate Paper Conservator in the Thaw Conservation Center at The Morgan Library & Museum (2010-2022) and held roles in conservation departments at The Metropolitan Museum of Art and The Whitney Museum of American Art. Her research focuses on the materials and techniques of modern and contemporary artists and the close examination of works on paper. She has published on Roy Lichtenstein\, Jim Dine\, Lucas Samaras\, Jean Dubuffet\, and Al Taylor\, as well as developed lectures and seminars on techniques used to examine works on paper. Lindsey is a Professional Associate of the American Institute for Conservation. \nAnnabel Daou’s work takes form in paper-based constructions\, sound\, performance\, and video. Daou suspends\, carves out or records the language of daily life: from the ordinary or mundane to the intimately personal and urgently political. In her performance work she explores questions of trust\, intimacy\, cross-cultural exchange\, and the operations of power. Her work frequently evokes moments of rupture and chaos but with the tenuous possibility for repair. Daou was born and raised in Beirut and lives in New York. Her work has been shown nationally and internationally including at The National Museum of Beirut; The Park Avenue Armory\, New York; KW\, Berlin; The Drawing Room\, London; and The Irish Museum of Modern Art\, Dublin. Public collections include The Morgan Library; The Baltimore Museum of Art; The Brooklyn Museum of Art; The Vehbi Koç Foundation\, Istanbul; the Ulrich Museum of Art\, Wichita; and The Yale University Art Gallery\, New Haven. Recent solo exhibitions include what is left of us at signs and symbols\, New York\, War Games at Galerie Tanja Wagner\, DECLARATION at Ulrich Museum of Art\, Global Spotlight: Annabel Daou at Museum of Contemporary Art Arlington. Recent residencies include the Pollock-Krasner award at ISCP in New York and Haus Des Papiers in Berlin. A monograph of her work will be published by Distanz Publishing Berlin in 2024. Daou was co-founder of collaborative groups dBfoundation\, S2A\, and The Lobby\, temporary public exhibitions in Brooklyn building lobbies. FORTUNE\, her ongoing silent fortune-telling project\, has taken place in numerous institutional and non-institutional contexts including PS1 MoMA\, White Box\, and the Global Art Forum\, Dubai. \nLisa Conte is Assistant Professor of Paper Conservation and Co-Chair of the Conservation Center of the Institute of Fine Arts at New York University. \n___ \n5pm\nClosing Reception sponsored by Master Drawings New York \n  \n•••••••• \nImage captions: \nBanner images: \nLeft side: Gabriel de Saint-Aubin (1724–1780)\, Allegory of the Marriages Performed by the City of Paris in Honor of the Birth of the Duc de Bourgogne in 1751 (detail)\, 1751\, Black chalk\, pen and brown ink\, brush and gray wash\, with white gouache and touches of blue and red chalk. 13 3/4 × 9 13/16 in. (35 × 25 cm). The Metropolitan Museum of Art. Promised Gift of Stephen A. Geiger\, in memory of his parents\, Howard W. Geiger and Mildred K. Geiger\, and in honor of his brother\, Julian R. Geiger \nRight side: Helène Aylon (1931-2020)\, Holding In 1 (detail)\, 1976\, Mixed media on paper\, 13-1/2 x 13-3/4 inches (sheet). Courtesy of the Estate of Helène Aylon and Leslie Tonkonow Artworks + Projects. \nEvent images: \nRick Bartow\, Autobiographical Hawk\, 1991. Pastel and graphite on paper\, 46 5/8 × 59 7/8 in. (118.4 × 152.1 cm). Whitney Museum of American Art\, New York; gift of the Richard E. Bartow Trust 2022.69. © Richard E. Bartow Trust \n“Pier Leone Ghezzi\,” Goldoni and the Characters of the Commedia dell’Arte\, ca. 1700\, or ca. 1940. Morgan Library & Museum\, New York. \nJacob El Hanani\, Quadric Urban Landscape\, 2023\, ink on gessoed canvas\, 48 x 48 inches (121.9 x 121.9 cm). © Jacob El Hanani\, Courtesy Acquavella Galleries \nSalon du Dessin 2024\, Exterior view of the Palais Brongniart\, Place de la Bourse\, Paris. Photo © Tanguy de Montesson \nGabriel de Saint-Aubin (1724–1780)\, Self Portrait in a Medallion\, ca. 1764\, Black chalk with stumping\, graphite\, pen and gray ink. Promised Gift of Stephen A. Geiger\, in memory of his parents\, Howard W. Geiger and Mildred K. Geiger\, and in honor of his brother\, Julian R. Geiger \nHelène Aylon (1931-2020)\, Melting Bricks 9\, 2014\, Mixed media on paper\, 18-15/16 x 26-1/16 inches (sheet). Courtesy of the Estate of Helène Aylon and Leslie Tonkonow Artworks + Projects.
URL:https://thedrawingfoundation.org/event/on-drawings-2024-event-program/
CATEGORIES:Events
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DTSTART;TZID=America/New_York:20240127T130000
DTEND;TZID=America/New_York:20240127T180000
DTSTAMP:20260608T033422
CREATED:20240123T053332Z
LAST-MODIFIED:20240123T053332Z
UID:10000032-1706360400-1706378400@thedrawingfoundation.org
SUMMARY:MDNY Gallery Tours - Saturday Afternoon
DESCRIPTION:Join us for tours of select MDNY exhibiting galleries! The tours below all begin at different times on Saturday\, January 27th. Register for the tours by clicking on the link below the participating gallery list. To learn more about what each gallery is exhibiting\, please click on the gallery name to be linked to their MDNY exhibitor page. \nAll tours are led by representatives of The Drawing Foundation. All tours are free to attend and registration is suggested but not required. \nTour Group 1: Meet at Abbott and Holder (Exhibiting at 24 E 64th Street\, 3rd Floor) at 1pm. \n\nAbbott and Holder\, 24 East 64th Street\nGraham Shay 1857\, 17 E 67th Street\nColnaghi Elliott Master Drawings\, 23 E 67th Street\nDidier Aaron\, 32 E 67th street\nAgnews\, 34 E 69th Street\nL U L L O • P A M P O U L I D E S\, 23 E 73rd Street\n\nCLICK HERE TO REGISTER \nTour Group 2: Meet at Patrick Bourne & Co (Exhibiting at Sebastian Izzard\, 17 E 76th St\, #3F) at 2:30pm. \n\nPatrick Bourne & Co\, 17 E 76th Street\nMarty de Cambiaire\, 24 E 78th Street\nImperial Art\, 16 E 79th St\nShepherd W&K Galleries\, 58 E 79th Street\nGALERIE 1900 – 2000 NYC\, 1018 Madison Avenue\nTREZZA\, 1044 Madison Avenue\n\nCLICK HERE TO REGISTER \nTour Group 3: Meet at Christopher Bishop Fine Art (Exhibiting at 1046 Madison Avenue\, Suite 2n) at 4 pm. \n\nChristopher Bishop Fine Art\, 1046 Madison Avenue\nStephen Ongpin Fine Art\, 24 E 80th Street\nRobert Simon Fine Art / Ambrose Naumann Fine Art & Harry Gready\, 22 E 80th Street\nSprüth Magers\, 22 E 80th Street\nDavid Nolan Gallery in Collaboration with Donald Ellis Gallery\, 24 E 81st Street\nMireille Mosler\, 4 E 81st Street\nJill Newhouse Gallery\, 4 E 81st Street\nHans P. Kraus Jr. Fine Photographs\, 962 Park Avenue\n\nCLICK HERE TO REGISTER \n 
URL:https://thedrawingfoundation.org/event/mdny-gallery-tours-saturday-1-27/
CATEGORIES:Events
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DTSTART;TZID=America/New_York:20240126T170000
DTEND;TZID=America/New_York:20240126T190000
DTSTAMP:20260608T033422
CREATED:20240123T052215Z
LAST-MODIFIED:20240123T052215Z
UID:10000031-1706288400-1706295600@thedrawingfoundation.org
SUMMARY:MDNY Gallery Tours - Friday Preview Evening
DESCRIPTION:Join us for tours of select MDNY exhibiting galleries! The tours below all begin at 5pm on Friday\, January 26th. Register for the tours by clicking on the link below the participating gallery list. To learn more about what each gallery is exhibiting\, please click on the gallery name to be linked to their MDNY exhibitor page. \nAll tours are led by representatives of The Drawing Foundation. All tours are free to attend and registration is suggested but not required. \nTour Group 1: Meet at Abbott and Holder (Exhibiting at 24 E 64th Street\, 3rd Floor) at 5pm. \n\nAbbott and Holder\, 24 East 64th Street\nGraham Shay 1857\, 17 E 67th Street\nColnaghi Elliott Master Drawings\, 23 E 67th Street\nDidier Aaron\, 32 E 67th street\nAgnews\, 34 E 69th Street\n\nCLICK HERE TO REGISTER \nTour Group 2: Meet at Patrick Bourne & Co (Exhibiting at Sebastian Izzard\, 17 E 76th St\, #3F) at 5pm. \n\nPatrick Bourne & Co\, 17 E 76th Street\nMarty de Cambiaire\, 24 E 78th Street\nImperial Art\, 16 E 79th St\nShepherd W&K Galleries\, 58 E 79th Street\nGALERIE 1900 – 2000 NYC\, 1018 Madison Avenue\nTREZZA\, 1044 Madison Avenue\n\nCLICK HERE TO REGISTER \nTour Group 3: Meet at Christopher Bishop Fine Art (Exhibiting at 1046 Madison Avenue\, Suite 2n) at 5pm. \n\nChristopher Bishop Fine Art\, 1046 Madison Avenue\nStephen Ongpin Fine Art\, 24 E 80th Street\nRobert Simon Fine Art / Ambrose Naumann Fine Art & Harry Gready\, 22 E 80th Street\nSprüth Magers\, 22 E 80th Street\nDavid Nolan Gallery in Collaboration with Donald Ellis Gallery\, 24 E 81st Street\nMireille Mosler\, 4 E 81st Street\nJill Newhouse Gallery\, 4 E 81st Street\nHans P. Kraus Jr. Fine Photographs\, 962 Park Avenue\n\nCLICK HERE TO REGISTER \n 
URL:https://thedrawingfoundation.org/event/mdny-gallery-tours-1-26/
CATEGORIES:Events
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