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DTSTART;TZID=America/New_York:20250206T133000
DTEND;TZID=America/New_York:20250206T150000
DTSTAMP:20260523T184254
CREATED:20241219T045247Z
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UID:10000071-1738848600-1738854000@thedrawingfoundation.org
SUMMARY:A Long-Kept Secret: The Collection of European Drawings at the Wadsworth Atheneum
DESCRIPTION:  \n\n\nThe collection of European drawings at the Wadsworth Atheneum in Hartford is barely known\, yet it boasts numerous significant works. In conjunction with Paper\, Color\, Line: European Master Drawings from the Wadsworth Atheneum\, a large exhibition on view from January 16th to April 27th\, 2025\, this talk explores the rich history of the collection. \n\n\nSpeaker: Oliver Tostmann\, Susan Morse Hilles Curator of European Art\, Wadsworth Atheneum Museum of Art \nThis event is organized by The Drawing Foundation in partnership with the Wadsworth Atheneum\, and in association with Master Drawings New York 2025 \n      \nImage: Léon Bakst (1866-1924)\, Costume Design for Vaslav Nijinsky as the Faun\, from “L’ Après-Midi d’un Faune” (detail)\, 1912. Graphite\, opaque and transparent watercolor with gold paint on illustration board. Wadsworth Atheneum Museum of Art\, The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund\, 1935.37.
URL:https://thedrawingfoundation.org/event/lecture-european-drawings-at-the-wadsworth-atheneum/
LOCATION:Italian Cultural Institute in New York\, 686 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Events,Recordings
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DTSTART;TZID=America/New_York:20241028T143000
DTEND;TZID=America/New_York:20241028T160000
DTSTAMP:20260523T184254
CREATED:20241202T044901Z
LAST-MODIFIED:20241216T045211Z
UID:10000063-1730125800-1730131200@thedrawingfoundation.org
SUMMARY:Talking Drawings: Beyond Paper
DESCRIPTION:  \nThis event was part of On Drawings 2024 programming \nMichael Findlay\, Director of Acquavella Galleries\, and Jacob El Hanani\, artist\, in a conversation moderated by Elizabeth Pergam\, Co-Chair of The Society for the History of Collecting and founder of its Americas Chapter. \n“Drawings” and “works on paper” are often used interchangeably; Jacob El Hanani’s practice\, most recently seen in his fifth solo show Drawing on Canvas at Acquavella\, challenges that restrictive definition. Likewise\, his work defies the reductive binaries of representation/abstraction\, text/image\, and microscopic/macroscopic. How does challenging the norms of artistic production impact an artist’s relationship with collectors? What is the role of the artist’s gallery in guiding collector’s appreciation of his work? Join us for a conversation with Jacob El Hanani and Michael Findlay\, moderated by Elizabeth Pergam as part of The Drawing Foundation’s On Drawings\, 2024\, presented by The Society for the History of Collecting. \nJacob El Hanani (b. 1947)\, was born in Morocco and received his artistic training at the Avni School of Fine Arts\, Tel Aviv\, and the École des Beaux Arts\, Paris\, before settling in New York in the early 1970s. He has been showing with Acquavella since 2015 and his work is in many New York collections\, including The Museum of Modern Art\, The Jewish Museum\, and The Whitney Museum of American Art. \nMichael Findlay\, Director of Acquavella Galleries\, has been a key figure in the New York art world since his arrival in 1964 and his first gallery job with Richard Feigen. A poet and author\, his most recent book\, Portrait of the Art Dealer as a Young Man: New York in the Sixties (Prestel\, 2024)\, is a lively account of the gallerists\, artists\, and collectors who made the City the center of contemporary art. \nElizabeth Pergam is Co-Chair of The Society for the History of Collecting and founder of its Americas Chapter. Her edited volume\, Drawing in the Twenty-First Century: The Politics and Poetics of Contemporary Practice (Ashgate\, 2014) explores the expanded field of contemporary drawing. \nPresented in partnership with The Society for the History of Collecting \n \nThis event is sponsored by Master Drawings New York \n \n  \nImage: Jacob El Hanani\, Quadric Urban Landscape (detail)\, 2023\, ink on gessoed canvas\, 48 x 48 inches (121.9 x 121.9 cm). © Jacob El Hanani\, Courtesy Acquavella Galleries
URL:https://thedrawingfoundation.org/event/talking-drawings-beyond-paper/
LOCATION:Italian Cultural Institute in New York\, 686 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Events,Recordings
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DTSTART;TZID=America/New_York:20240126T123000
DTEND;TZID=America/New_York:20240126T133000
DTSTAMP:20260523T184254
CREATED:20231203T204538Z
LAST-MODIFIED:20240315T182827Z
UID:10000017-1706272200-1706275800@thedrawingfoundation.org
SUMMARY:MDNY 2024 Inaugural Lecture: Botticelli Drawings
DESCRIPTION:Furio Rinaldi\, Curator\, Fine Arts Museums of San Francisco \nThe work of the Florentine artist Sandro Botticelli (ca. 1445-1510) has had an enduring influence and popularity on contemporary culture\, embodying the flowering of the Italian Renaissance. Presented exclusively at the Fine Arts Museums of San Francisco\, Botticelli Drawings is the first and largest exhibition to explore the central role that drawing played in Botticelli’s art and workshop practice. A journey through the artist’s visual creations and their graphic articulation — from his beginnings with maestro Fra Filippo Lippi to the years of Savonarola — the exhibition is anchored by extensive research\, unveiling newly attributed drawings alongside more than 60 works from 39 lending institutions. Exhibition curator Furio Rinaldi outlines Botticelli’s drawing style while exploring the artistic process behind his renowned paintings\, from the Madonna of the Rose Garden in the Louvre\, to the late Adoration of the Magi in the Uffizi. \n\n \nFurio Rinaldi\, Ph.D.\, is Curator of drawings and prints at the Fine Arts Museums of San Francisco\, the largest collection of works on paper in Western United States. An expert on 15th- and 16th-century Italian drawings\, particularly the schools of Leonardo da Vinci\, Raphael\, and Michelangelo\, he has published extensively on the subject in The Burlington Magazine\, Master Drawings\, and The Metropolitan Museum of Art Journal. At FAMSF\, he organized the Legion of Honor exhibition Color into Line: Pastel from the Renaissance to the Present (2021–2022). His curatorial experience includes positions in the department of drawings and prints at the Metropolitan Museum of Art\, New York\, where he also served as a Samuel H. Kress Fellow\, and the Pinacoteca di Brera\, Milan. Rinaldi holds a PhD in art history from the University of Rome ‘Tor Vergata’ and an MA and BA in art history from the University of Milan. In 2022 he was appointed David and Julie Tobey Fellow of Italian Drawings at Villa I Tatti\, The Harvard University Center for Italian Renaissance Studies. \nThis event is organized by The Drawing Foundation in association with Master Drawings New York 2024. \n             \nImage: Sandro Botticelli\, The Devout People of Jerusalem at the Pentecost (detail)\, ca. 1505. Black chalk\, pen and brown ink\, brown wash\, highlighted with white gouache on paper\, 9 1/8 x 14 3/8 in. (23.1 x 36.5 cm.) Hessisches Landesmuseum Darmstadt. Photograph by Wolfgang Fuhrmannek.
URL:https://thedrawingfoundation.org/event/mdny-2024-inaugural-lecture-botticelli-drawings/
LOCATION:Italian Cultural Institute in New York\, 686 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Events,Recordings
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