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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260205T093000
DTEND;TZID=America/New_York:20260205T103000
DTSTAMP:20260526T175242
CREATED:20251211T161015Z
LAST-MODIFIED:20260212T160958Z
UID:10000148-1770283800-1770287400@thedrawingfoundation.org
SUMMARY:DRAWINGS WEEK 2026 - Early Hours Tour of Renoir Drawings
DESCRIPTION:Join Sarah Lees\, Research Associate at the Morgan Library & Museum and exhibition co-curator\, for a special opportunity to tour Renoir Drawings before the museum opens to the public.  Don’t miss this chance to discover Renoir’s prolific drawing practice in this intimate tour of this exhibition before it closes on Sunday\, February 8.\n \nExhibition Information: \nWhile the paintings of Auguste Renoir (1841–1919) have become icons of Impressionism\, his drawings\, watercolors\, and pastels are far less widely known. In fact\, drawing remained central to his artistic practice even as his interests and ambitions changed over the course of a long career. This exhibition explores the ways in which Renoir used paper to test ideas\, plan compositions\, and interpret both landscape and the human figure. \nThematic sections will cover the full span of the artist’s career\, ranging from academic studies he made as a student\, to on-the-spot impressions of contemporary urban and rural life\, to finished\, formal portraits\, to intimate sketches of friends and family completed late in life. In-depth case studies of favored themes and preparatory work for landmark canvases will further illuminate Renoir’s practice of drawing. \nInspired by the major gift to the Morgan of a large-scale preparatory sketch for one of Renoir’s most significant paintings\, The Great Bathers\, this exhibition is the first in a century to explore the artist’s works on paper in depth. Organized by the Morgan Library Museum and the Musée d’Orsay\, Paris\, Renoir Drawings brings together nearly one hundred drawings\, pastels\, watercolors\, prints\, and a small selection of paintings\, enabling visitors to engage with Renoir’s creative process while offering insights into his artistic methods over five decades. \nOrganized by Colin B. Bailey\, Katharine J. Rayner Director\, and Sarah Lees\, Research Associate. \nRenoir Drawings is organized by the Morgan Library & Museum and the Musée d’Orsay.  \n__ \nThis DRAWINGS WEEK 2026 event is organized by The Drawing Foundation in partnership with the Morgan Library & Museum and in association with Master Drawings New York 2026.  \n                                \nImage: Pierre-Auguste Renoir (1841–1919)\, Study for “Dance in the Country” (detail)\, 1883. Brush and brown\, blue\, and black wash over black chalk or graphite on paper. Yale University Art Gallery\, Bequest of Edith Malvina K. Wetmore\, 1966.80.25.
URL:https://thedrawingfoundation.org/event/drawings-week-2026-renoir-drawings/
LOCATION:The Morgan Library & Museum\, 225 Madison Avenue at 36th Street\, New York\, NY 10016\, United States
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://thedrawingfoundation.org/wp-content/uploads/2025/12/ag-obj-10825-0002-pub-scaled-e1765469119565.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260130T100000
DTEND;TZID=America/New_York:20260130T160000
DTSTAMP:20260526T175242
CREATED:20260121T040129Z
LAST-MODIFIED:20260212T162249Z
UID:10000167-1769767200-1769788800@thedrawingfoundation.org
SUMMARY:A Draftsman of the First Order: Renoir’s Drawing Practice
DESCRIPTION:Auguste Renoir was a consummate Impressionist painter\, but drawing also played a significant if less widely recognized role in his work. This symposium will bring together experts on the artist and his works on paper\, including exhibition co-curators\, scholars\, and conservators. Their discussions will explore the centrality of drawing to Renoir’s practice\, examine some of his major projects\, and reveal the details of his working methods. \n10:30 AM Colin B. Bailey\, An Introduction to the Exhibition and Thoughts on Further Work \n11 AM Paul Perrin\, Director of Curatorial Affairs and Collections\, Musée d’Orsay: Renoir and Impressionism: A New Dispute between Line and Color \n11:30 AM Rebecca Pollak\, Associate Paper Conservator\, Thaw Conservation Center\, Morgan Library & Museum: Renoir’s Drawings: Materials\, Process\, and Presentation \n12 PM Panel Discussion (Colin B. Bailey\, Paul Perrin\, Rebecca Pollak) \n12:30-2 PM Break \n2 PM Sarah Lees\, Research Associate to the Director\, Morgan Library & Museum: Time and Again: Renoir’s Repetitions \n2:30 PM Fabienne Ruppen\, Assistant Curator\, Department of Prints and Drawings\, Kunstmuseum Basel: Renoir’s Choice of Drawing Papers \n3 PM Martha Lucy\, Deputy Director for Research\, Interpretation and Education\, The Barnes Foundation: Unpainting the Body: Renoir’s Toilette de la Baigneuse \n3:30 PM Panel Discussion (Sarah Lees\, Fabienne Ruppen\, Martha Lucy) \nThis program will take place in Gilder Lehrman Hall on the Ground Floor. Doors to the Hall will open 30 minutes before the symposium begins. Renoir Drawings will open at 9:30 AM for viewing prior to the symposium. \n\n \nImage: Auguste Renoir (1841–1919)\, Study for “The Great Bathers\,” ca. 1886–87 \, Red and white chalk\, with smudging and blending\, on paper mounted to canvas . The Morgan Library & Museum\, Bequest of Drue Heinz\, 2018.71
URL:https://thedrawingfoundation.org/event/a-draftsman-of-the-first-order-renoirs-drawing-practice/
LOCATION:The Morgan Library & Museum\, 225 Madison Avenue at 36th Street\, New York\, NY 10016\, United States
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://thedrawingfoundation.org/wp-content/uploads/2026/01/14_Bathers_without_frame_MLM93013_417016v_0003-e1768968011261.jpg
ORGANIZER;CN="The Morgan Library & Museum":MAILTO:drawings@themorgan.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251107T150000
DTEND;TZID=America/New_York:20251107T160000
DTSTAMP:20260526T175242
CREATED:20251001T041306Z
LAST-MODIFIED:20251208T031803Z
UID:10000133-1762527600-1762531200@thedrawingfoundation.org
SUMMARY:ON DRAWINGS 2025 - Exhibition Tour at the Morgan Library and Museum
DESCRIPTION:Exhibition Tour of Renoir Drawings\nLed by Rebecca Pollak\, Associate Paper Conservator\, Thaw Conservation Center\, Morgan Library & Museum\nand Sarah Lees\, Research Associate\, Morgan Library & Museum \nThis event is open to members of The Drawing Foundation. Log in to your membership account to register or sign up to become a member today. \n__ \nExhibition Information: \nWhile the paintings of Auguste Renoir (1841–1919) have become icons of Impressionism\, his drawings\, watercolors\, and pastels are far less widely known. In fact\, drawing remained central to his artistic practice even as his interests and ambitions changed over the course of a long career. This exhibition explores the ways in which Renoir used paper to test ideas\, plan compositions\, and interpret both landscape and the human figure. \nThematic sections will cover the full span of the artist’s career\, ranging from academic studies he made as a student\, to on-the-spot impressions of contemporary urban and rural life\, to finished\, formal portraits\, to intimate sketches of friends and family completed late in life. In-depth case studies of favored themes and preparatory work for landmark canvases will further illuminate Renoir’s practice of drawing. \nInspired by the major gift to the Morgan of a large-scale preparatory sketch for one of Renoir’s most significant paintings\, The Great Bathers\, this exhibition is the first in a century to explore the artist’s works on paper in depth. Organized by the Morgan Library Museum and the Musée d’Orsay\, Paris\, Renoir Drawings brings together nearly one hundred drawings\, pastels\, watercolors\, prints\, and a small selection of paintings\, enabling visitors to engage with Renoir’s creative process while offering insights into his artistic methods over five decades. \nOrganized by Colin B. Bailey\, Katharine J. Rayner Director\, and Sarah Lees\, Research Associate. \nRenoir Drawings is organized by the Morgan Library & Museum and the Musée d’Orsay. \n___ \nThis event is organized by The Drawing Foundation in partnership with the Morgan Library & Museum as part of On Drawings 2025. \n      \nImage: Auguste Renoir (1841–1919)\, Portrait of a Girl (Elisabeth Maître)\, 1879. Pastel on Ingres paper. The ALBERTINA Museum\, Vienna – The Batliner Collection
URL:https://thedrawingfoundation.org/event/on-drawings-2025-exhibition-tour-at-the-morgan/
LOCATION:The Morgan Library & Museum\, 225 Madison Avenue at 36th Street\, New York\, NY 10016\, United States
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://thedrawingfoundation.org/wp-content/uploads/2025/09/Renoir-Portrait-of-Young-Girl-Albertina.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251017
DTEND;VALUE=DATE:20260209
DTSTAMP:20260526T175242
CREATED:20250806T170456Z
LAST-MODIFIED:20251208T032027Z
UID:10000113-1760659200-1770595199@thedrawingfoundation.org
SUMMARY:Renoir Drawings
DESCRIPTION:While the paintings of Auguste Renoir (1841–1919) have become icons of Impressionism\, his drawings\, watercolors\, and pastels are far less widely known. In fact\, drawing remained central to his artistic practice even as his interests and ambitions changed over the course of a long career. This exhibition explores the ways in which Renoir used paper to test ideas\, plan compositions\, and interpret both landscape and the human figure. \nThematic sections will cover the full span of the artist’s career\, ranging from academic studies he made as a student\, to on-the-spot impressions of contemporary urban and rural life\, to finished\, formal portraits\, to intimate sketches of friends and family completed late in life. In-depth case studies of favored themes and preparatory work for landmark canvases will further illuminate Renoir’s practice of drawing. \nInspired by the major gift to the Morgan of a large-scale preparatory sketch for one of Renoir’s most significant paintings\, The Great Bathers\, this exhibition is the first in a century to explore the artist’s works on paper in depth. Organized by the Morgan Library Museum and the Musée d’Orsay\, Paris\, Renoir Drawings brings together nearly one hundred drawings\, pastels\, watercolors\, prints\, and a small selection of paintings\, enabling visitors to engage with Renoir’s creative process while offering insights into his artistic methods over five decades. \nOrganized by Colin B. Bailey\, Katharine J. Rayner Director\, and Sarah Lees\, Research Associate. \nRenoir Drawings is organized by the Morgan Library & Museum and the Musée d’Orsay. \n          \nThe exhibition is made possible by lead funding from the Jerome L. Greene Foundation. \nGenerous support is provided by Denise Littlefield Sobel; an anonymous donor\, in memory of Melvin R. Seiden; Hubert and Mireille Goldschmidt; and the Pierre and Tana Matisse Foundation. Additional support is provided by the Christian Humann Foundation; the Arthur F. and Alice E. Adams Charitable Foundation; the Robert Lehman Foundation; the Wolfgang Ratjen Stiftung\, Liechtenstein; the Lucy Ricciardi Family Exhibition Fund; and Robert Dance. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. It is a program of the Morgan Drawing Institute. \nImage: Auguste Renoir (French\, 1841–1919) Portrait of a Girl (Elisabeth Maître)\, 1879 Pastel on Ingres paper\, The Albertina Museum\, Vienna – The Batliner Collection\, DL535
URL:https://thedrawingfoundation.org/event/renoir-drawings/
LOCATION:The Morgan Library & Museum\, 225 Madison Avenue at 36th Street\, New York\, NY 10016\, United States
CATEGORIES:Current,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://thedrawingfoundation.org/wp-content/uploads/2025/08/Pierre-Auguste_Renoir_-_Portrait_of_a_Young_Girl_Elisabeth_Maitre_1879_-_Google_Art_Project.jpg
ORGANIZER;CN="The Morgan Library & Museum":MAILTO:drawings@themorgan.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251015T110000
DTEND;TZID=America/New_York:20251015T120000
DTSTAMP:20260526T175242
CREATED:20250911T154434Z
LAST-MODIFIED:20251208T032101Z
UID:10000117-1760526000-1760529600@thedrawingfoundation.org
SUMMARY:Exhibition Tour - Lisa Yuskavage: Drawings
DESCRIPTION:Join us for a tour of the intimate exhibition of drawings by Lisa Yuskavage (b.1962). The tour will be led by Claire Gilman\, Acquavella Curator and Department Head of Modern and Contemporary Drawings\, Morgan Library & Museum. Don’t miss this opportunity to view the first museum exhibition of Yuskavage’s captivating drawings and to learn more about her unique practice and approach to depicting the female form. \nFree event: Registration is required. Registration begins on September 15 at 9am.  \nThis event is organized by The Drawing Foundation.  \n__ \nExhibition Information: \nOne of the most original and influential artists of the past three decades\, Lisa Yuskavage (American b. 1962) creates works that affirm the integrity of her media (painting\, drawing and printmaking) while challenging conventional art historical precedents. At once confrontational and meditative\, her works blur the boundaries between high and low art\, exploring traditional genres—the nude\, portraiture\, landscape and still life—with a contemporary eye to issues of female transgression and empowerment rooted in popular culture. \nLisa Yuskavage: Drawings is the first comprehensive museum presentation of the artist’s drawings. Incorporating drawings from the early nineties to the present and including sketches and finished studies\, the exhibition will feature a wide range of her explorations with materials including work in graphite\, pen\, Conte\, pastel\, charcoal\, distemper\, monotype\, gouache\, watercolor\, acrylic and ink on paper. It will chart Yuskavage’s career-long inquiry into how process and material experimentation create entirely new ways to find images. From her earliest drawings of imagined figures and still lives\, through a period of investigation into what constitutes a model\, to her recent studio and landscape scenes synthesizing the real and the imagined into a new kind of fictional reality\, Yuskavage’s drawings give insight into the way we see and comprehend the world. Within the jewel-like space of the Thaw Gallery\, the exhibition provides an immersive experience\, allowing the viewer to enter the artist’s mind. \n  \n  \n \n__ \nImage: Lisa Yuskavage\, (b. 1962)\, Sketchbook page for Blonde Brunette and Redhead\, 1995. Graphite\, collage\, oil\, and pastel. Force Villareal Collection. © Lisa Yuskavage Courtesy the artist and David Zwirner
URL:https://thedrawingfoundation.org/event/exhibition-tour-lisa-yuskavage-2025/
LOCATION:The Morgan Library & Museum\, 225 Madison Avenue at 36th Street\, New York\, NY 10016\, United States
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://thedrawingfoundation.org/wp-content/uploads/2025/09/Yuskavage_Sketchbook-page-for-Blonde-Brunette-and-Redhead-1995_YUSLI0776_REPRO_0.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250627
DTEND;VALUE=DATE:20260125
DTSTAMP:20260526T175242
CREATED:20250806T160415Z
LAST-MODIFIED:20250806T160551Z
UID:10000111-1750982400-1769299199@thedrawingfoundation.org
SUMMARY:Lisa Yuskavage: Drawings
DESCRIPTION:One of the most original and influential artists of the past three decades\, Lisa Yuskavage (American b. 1962) creates works that affirm the integrity of her media (painting\, drawing and printmaking) while challenging conventional art historical precedents. At once confrontational and meditative\, her works blur the boundaries between high and low art\, exploring traditional genres—the nude\, portraiture\, landscape and still life—with a contemporary eye to issues of female transgression and empowerment rooted in popular culture. \nLisa Yuskavage: Drawings is the first comprehensive museum presentation of the artist’s drawings. Incorporating drawings from the early nineties to the present and including sketches and finished studies\, the exhibition will feature a wide range of her explorations with materials including work in graphite\, pen\, Conte\, pastel\, charcoal\, distemper\, monotype\, gouache\, watercolor\, acrylic and ink on paper. It will chart Yuskavage’s career-long inquiry into how process and material experimentation create entirely new ways to find images. From her earliest drawings of imagined figures and still lives\, through a period of investigation into what constitutes a model\, to her recent studio and landscape scenes synthesizing the real and the imagined into a new kind of fictional reality\, Yuskavage’s drawings give insight into the way we see and comprehend the world. Within the jewel-like space of the Thaw Gallery\, the exhibition provides an immersive experience\, allowing the viewer to enter the artist’s mind. \n\n\nOrganized by Claire Gilman\, Acquavella Curator and Department Head of Modern and Contemporary Drawings. \nLisa Yuskavage: Drawings is made possible with assistance from Caroline Howard Hyman\, David Zwirner\, Ashton Alexander and John Kline\, Kathy Jaharis\, the Martin and Rebecca Eisenberg Foundation\, the Fuhrman Family Foundation\, Mari and Mark Ghuneim\, Jean-Pierre and Rachel Lehmann\, Carol Saper\, and an anonymous donor. The exhibition is a program of the Morgan Drawing Institute. \n \nImage: Lisa Yuskavage\, (b. 1962) Rapture #2\, 1993 Watercolor Private Collection © Lisa Yuskavage. Courtesy the artist and David Zwirner
URL:https://thedrawingfoundation.org/event/lisa-yuskavage-drawings/
LOCATION:The Morgan Library & Museum\, 225 Madison Avenue at 36th Street\, New York\, NY 10016\, United States
CATEGORIES:Current,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://thedrawingfoundation.org/wp-content/uploads/2025/08/Yuskavage_Rapture_2-1993_YUSLI0167_REPRO_0.jpg
ORGANIZER;CN="The Morgan Library & Museum":MAILTO:drawings@themorgan.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240920T130000
DTEND;TZID=America/New_York:20240920T170000
DTSTAMP:20260526T175242
CREATED:20240910T032615Z
LAST-MODIFIED:20241001T062823Z
UID:10000050-1726837200-1726851600@thedrawingfoundation.org
SUMMARY:The Morgan Drawing Institute Symposium: Perspectives on Dutch Drawings
DESCRIPTION:The Morgan Drawing Institute is pleased to present a symposium held in conjunction with Far and Away: Drawings from the Clement C. Moore Collection on view until September 22\, 2024. Moore’s promised gift to the Morgan further expands upon the rich collection of Dutch drawings\, illuminating their various functions and techniques and their relationship to European artistic traditions spanning from the seventeenth to early twentieth century. The symposium expands upon these themes\, with the following presentations: \nJulia Siemon\, Director of Exhibitions and Chief Curator\, Bard Graduate Center\, New York\nAll’Insegna d’Anversa: Stradanus and his Netherlandish Network Abroad \nRob Fucci\, Lecturer in the History of Art\, University of Amsterdam\nReal and Imagined Pasts: Drawings of Ruins in the Early Dutch Republic \nLeonore van Sloten\, Senior Curator\, Rembrandthuis Museum\, Amsterdam\nAll the World’s a Stage: Theater and its Impact on Rembrandt \nStijn Alsteens\, Director\, Fondation Custodia-Collection Frits Lugt\, Paris\nPoetry and Truth in Lambert Doomer’s French Views \nGregory Rubinstein\, Head of Old Master and Early British Drawings\, Sotheby’s\, London\nAlbion Seen through Orange-Tinted Spectacles: Drawings of Seventeenth-century Britain by Artists from the Low Countries \nJohn Marciari\, Director of Curatorial Affairs and Head of the Department of Drawings\, Morgan Library & Museum; Jane Shoaf Turner\, Editor\, Master Drawings; and Clement C. (“Chips”) Moore A Conversation on Collecting \n \nImage: Jan Siberechts (1627–1703)\, River Landscape with a View of Oxford in the Distance\, ca. 1672-90. Pen and brown ink\, watercolor\, and opaque watercolor over black chalk. The Morgan Library & Museum\, New York\, promised gift of Clement C. and Elizabeth W. Moore.
URL:https://thedrawingfoundation.org/event/symposium-perspectives-on-dutch-drawings/
LOCATION:The Morgan Library & Museum\, 225 Madison Avenue at 36th Street\, New York\, NY 10016\, United States
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://thedrawingfoundation.org/wp-content/uploads/2024/09/Siberechts-Moore-Collection.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240628
DTEND;VALUE=DATE:20240923
DTSTAMP:20260526T175242
CREATED:20240907T030740Z
LAST-MODIFIED:20241001T062836Z
UID:10000047-1719532800-1727049599@thedrawingfoundation.org
SUMMARY:Far and Away: Drawings from the Clement C. Moore Collection
DESCRIPTION:The drawings assembled by Clement C. (Chips) Moore constitute one of the preeminent collections of Dutch drawings in private hands. The collection also includes works by Flemish\, French\, Italian\, British\, and American artists\, spanning the sixteenth to the twentieth century. The works have long been intended to join the Morgan’s collection\, and this exhibition—timed to coincide with the Morgan’s centennial celebration in 2024—makes formal the promised gift. The exhibition will demonstrate the breadth of the Moore Collection through a selection of around seventy-five works\, grouped thematically to highlight the principal themes of Dutch art\, the various functions and techniques of Dutch drawings\, and the connections between the Dutch and other European artistic traditions. Works by Hendrick Goltzius\, Jacob de Gheyn\, Jan Brueghel\, Peter Paul Rubens\, Rembrandt\, Peter Lely\, Claude Lorrain\, Thomas Gainsborough\, and John Constable are among those featured in the selection. \nThe exhibition is accompanied by a fully illustrated catalogue\, authored by an international team of specialists\, which reveals the Moore Collection’s significance in enriching and extending the Morgan’s famed holdings of Dutch drawings. \n \nImage: Isaak Major (ca. 1576–after 1642)\, Figures in a Wooded Landscape with a City in the Distance\, ca. 1620–30\, Brush and blue ink\, over black chalk\, squared in black chalk\nThe Morgan Library & Museum\, New York\, promised gift of Clement C. and Elizabeth Y. Moore.
URL:https://thedrawingfoundation.org/event/far-and-away-clement-moore-collection/
LOCATION:The Morgan Library & Museum\, 225 Madison Avenue at 36th Street\, New York\, NY 10016\, United States
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/png:https://thedrawingfoundation.org/wp-content/uploads/2024/09/Isaak-Major-Moore-Collection.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240607
DTEND;VALUE=DATE:20241007
DTSTAMP:20260526T175242
CREATED:20240907T033330Z
LAST-MODIFIED:20241029T025752Z
UID:10000048-1717718400-1728259199@thedrawingfoundation.org
SUMMARY:Liberty to the Imagination: Drawings from the Eveillard Gift
DESCRIPTION:The Morgan celebrates the 100th year of its founding with a series of exhibitions devoted to promised gifts to the museum\, including twenty-eight drawings from the holdings of New York–based collectors Elizabeth and Jean-Marie Eveillard. The selection comprises drawings from the seventeenth to the twentieth century that exemplify the sense of wonder that underlies the Eveillards’ collecting practice. Describing it\, Betty Eveillard has quoted the eighteenth-century French philosopher\, Denis Diderot: “Perhaps we find sketches so attractive only because\, being somewhat indeterminate\, they allow more liberty to our imagination.” The exhibition includes a study for Rembrandt’s first masterpiece; Greuze’s virtuoso depiction of a young cook made for his friend Jean-Georges Wille; Delacroix’s intimate portrait of Jenny\, his confidante and caretaker; and a striking watercolor landscape by Cézanne. Also in the gift are significant sheets by major artists such as Rubens\, Guercino\, Jordaens\, Watteau\, Géricault\, Constable\, Degas\, Renoir\, Seurat\, Gauguin\, Toulouse-Lautrec\, Rodin\, Vuillard\, Bonnard\, and Gris\, including many rarely seen drawings. \nThe exhibition is accompanied by a fully illustrated catalogue. \n \nImage: Jean Baptiste Greuze (French\, 1725–1805)\, A Kitchen Cook\, Reading\, 1759\, Black\, white and red chalk\, with smudging\, on light brown paper.\nThe Morgan Library & Museum\, New York\, promised gift of Elizabeth and Jean-Marie Eveillard.
URL:https://thedrawingfoundation.org/event/liberty-to-the-imagination-eveillard-gift/
LOCATION:The Morgan Library & Museum\, 225 Madison Avenue at 36th Street\, New York\, NY 10016\, United States
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/png:https://thedrawingfoundation.org/wp-content/uploads/2024/09/Greuze-Eveillard-Collection.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230616
DTEND;VALUE=DATE:20231024
DTSTAMP:20260526T175242
CREATED:20230929T014746Z
LAST-MODIFIED:20250103T142615Z
UID:10000012-1686873600-1698105599@thedrawingfoundation.org
SUMMARY:Into the Woods: French Drawings and Photographs from the Karen B. Cohen Gift
DESCRIPTION:The Morgan Library & Museum celebrates the gift of more than 130 drawings and photographs from the collection of Morgan Trustee Karen B. Cohen with the exhibition Into the Woods: French Drawings and Photographs from the Karen B. Cohen Gift. Combining objects from Cohen’s generous gift with related examples from the Morgan’s collection\, this selection of over fifty works on paper by French nineteenth-century artists will explore new approaches to the rural landscape and its inhabitants and help define the role artists played in defining a modern relationship to nature. \nThe development of portable equipment\, the expansion of the railway system\, and the technical innovation of photography all helped reshape artists’ relationship with nature in the nineteenth century. This exhibition asks how painters\, draftsmen\, and photographers approached the traditional subject of landscape and scenes of rural life in new ways. Steeped in the pictorial tradition of their predecessors\, including the great seventeenth-century Dutch landscape artists Jacob van Ruisdael and Rembrandt\, French artists reinvigorated the genre with their commitment to naturalism. They discovered new effects through the use of a wide range of media\, from charcoal to photography. A focus on rural laborers\, and women in particular\, led to some of the first empathetic—and least romanticized—depictions of the rural working class. Additionally\, spending extended time in the wild inspired artists to campaign for its preservation\, and part of the Fontainebleau forest was made an official nature preserve in 1861. \n \n 
URL:https://thedrawingfoundation.org/event/into-the-woods-french-drawings-and-photographs-from-the-karen-b-cohen-gift/
LOCATION:The Morgan Library & Museum\, 225 Madison Avenue at 36th Street\, New York\, NY 10016\, United States
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/png:https://thedrawingfoundation.org/wp-content/uploads/2023/09/Screenshot-2023-10-04-at-9.12.27-AM-e1696425294619.png
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