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12 November
2024
:

Drawn to Blue: A Digital Symposium

Online (Zoom Webinar)

Online (Zoom Webinar)

This two-day online symposium, co-organized by the J. Paul Getty Museum and the University of Amsterdam, brings together art historians and paper and textile conservators to share their new research on the history of early modern blue paper. Made from discarded blue rags, early modern blue paper was a humble material. However, producing it required […]

31 July
2024
:

Call for Papers: Drawn to Blue

Online (Zoom Webinar)

Online (Zoom Webinar)

This call seeks proposals for 20-minute papers that address the history of European blue paper from the fourteenth century until 1800. Open to art historians, curators, conservators, conservation scientists, paper historians, papermakers, and dyers, successful proposals will demonstrate original archival research and/or object-based approach to their discussion of works on blue paper.

8 March
2024
:

APS Distinguished Scholar Lecture 2024

Online (Zoom Webinar)

Online (Zoom Webinar)

Breaking Ground in Ground Breaking Printmaking Juane Quick-to-See Smith and Neal Ambrose Smith  Association of Print Scholars Ninth Annual Distinguished Scholar Lecture Born January 15, 1940, Jaune Quick-to-See Smith is an enrolled Salish member of the Confederated Salish and Kootenai Nation, Montana. Smith received an Associate of Arts Degree at Olympic College in Bremerton, WA, BA in […]

12 October
2023
:

Drawings for Prints II: Sébastien Le Clerc and Jane Hogarth

Online (Zoom Webinar)

Online (Zoom Webinar)

The acts of drawing and printmaking have always been intertwined. Historically, drawing has been the space of inspiration and development before setting the burin to plate or crayon to stone. This virtual panel will showcase case studies by emerging scholars. The subject of this panel is inspired by this year’s Master Drawings New York showcase […]

5 October
2023
:

Drawings for Prints I: Paris Salons and German Expressionism

Online (Zoom Webinar)

Online (Zoom Webinar)

The acts of drawing and printmaking have always been intertwined. Historically, drawing has been the space of inspiration and development before setting the burin to plate or crayon to stone. This virtual panel will showcase case studies by emerging scholars. The subject of this panel is inspired by this year’s Master Drawings New York showcase at IFPDA: Drawings […]

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