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DTSTART;TZID=America/New_York:20260202T103000
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DTSTAMP:20260519T072336
CREATED:20251211T035113Z
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UID:10000144-1770028200-1770033600@thedrawingfoundation.org
SUMMARY:DRAWINGS WEEK 2026 - Drawing in the Netherlands\, ca. 1550-1650: New Research
DESCRIPTION:Scholars from institutions in Paris\, Brussels\, Cambridge\, and New York share their recent work in the field of Netherlandish and Dutch drawings of the sixteenth and seventeenth centuries\, presenting new insights on well-known and newly discovered sheets. \nSpeakers:\nA Master of Blue Landscapes: On a New Addition to the Frits Lugt Collection\nStijn Alsteens\, Director\, Fondation Custodia\, Paris \nJacques de Gheyn II: Innovation and Experimentation in Dutch Drawing\nSusanne Bartels\, Stanley H. Durwood Foundation Curatorial Fellow\, Division of European and American Art\, Harvard Art Museums  \nFrustrated Ambition: Collaboration and Conflict in a Series of Drawings by David Vinckboons and Paulus de Kempenaer\nDaan van Heesch\, Head of the Department of Prints and Drawings\, Royal Library of Belgium (KBR) \n Crispijn van de Passe II on Parchment\nJoanna Sheers Seidenstein\, Associate Curator\, Department of Drawings and Prints\, The Metropolitan Museum of Art \n__ \nThis DRAWINGS WEEK 2026 event was organized by The Drawing Foundation in partnership with the Department of Drawings and Prints at The Metropolitan Museum of Art and in association with Master Drawings New York 2026.  \nThis event was made possible through the generous support of the Indian Point Foundation\, The Delegation of Flanders to the USA\, and The Consulate General of Belgium in New York. \n  \n                                \nImage: Crispijn de Passe the Younger (1594–1670)\, Portrait of a woman as a shepherdess (detail)\, 1635-40. Metalpoint on prepared parchment (tafelet)\, inset into a painted mount. The Metropolitan Museum of Art\, Frits and Rita Markus Fund\, 2024.
URL:https://thedrawingfoundation.org/event/drawings-week-2026-the-met-drawing-in-the-netherlands/
LOCATION:Sacerdote Lecture Hall\, The Metropolitan Museum of Art\, 1000 5th Avenue\, New York\, NY\, 10028\, United States
CATEGORIES:Events,Recordings
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DTSTART;TZID=America/New_York:20250203T103000
DTEND;TZID=America/New_York:20250203T123000
DTSTAMP:20260519T072336
CREATED:20241218T045250Z
LAST-MODIFIED:20250305T191600Z
UID:10000065-1738578600-1738585800@thedrawingfoundation.org
SUMMARY:Paris Observed\, Paris Imagined: The Drawings of Gabriel de Saint-Aubin
DESCRIPTION:  \n\n\nGabriel de Saint-Aubin (1724–1780) was a prolific and unconventional draftsman whose imagery offers an unparalleled view of life in eighteenth-century Paris. With subjects that range from the elevated to the mundane\, his work brims with wit and humanity but eludes easy categorization. \nThree talks will explore some of the topics and questions raised by the soon-to-close exhibition Paris through the Eyes of Saint-Aubin\, on view at The Met through February 4\, 2025. The show celebrates the 300th anniversary of the artist’s birth as well as a recently promised gift that will significantly expand the museum’s holdings. \n“Going Shopping with Saint-Aubin”\nPerrin Stein\, Curator\, Department of Drawings and Prints\, The Metropolitan Museum of Art \n“Tinkering on Paper and Copper: Gabriel de Saint-Aubin at the Crossroads of Drawing and Printmaking”\nRena M. Hoisington\, Curator of Old Master and Nineteenth-Century Prints\, National Gallery of Art \n“From Paris to Stockholm: Gabriel de Saint-Aubin’s Last Solitary Promenades”\nKim de Beaumont\, Adjunct Professor and Undergraduate Major Advisor for Art History\, Hunter College \nFollowing the talks\, attendees are invited to view the exhibition\, Paris through the Eyes of Saint-Aubin on view in Gallery 690. \nThis event was organized by The Drawing Foundation in partnership with The Metropolitan Museum of Art\, in association with Master Drawings New York 2025. This event is made possible through the generous support of Hubert and Mireille Goldschmidt\, David Leventhal\, and Alan Templeton.  \n\n\n  \n               \n  \nImage: Gabriel de Saint-Aubin (1724–1780)\, Sheet of Studies (detail)\, 1776\, black chalk\, pen and black ink\, touches of colored washes. Promised Gift of Stephen A. Geiger\, in memory of his parents\, Howard W. Geiger and Mildred K. Geiger\, and in honor of his brother\, Julian R. Geiger\, The Metropolitan Museum of Art\, PG.Geiger.2022.12 \n\n\n 
URL:https://thedrawingfoundation.org/event/met-talks-drawings-of-gabriel-de-saint-aubin/
LOCATION:Sacerdote Lecture Hall\, The Metropolitan Museum of Art\, 1000 5th Avenue\, New York\, NY\, 10028\, United States
CATEGORIES:Events,Recordings
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DTSTART;TZID=America/New_York:20240129T103000
DTEND;TZID=America/New_York:20240129T123000
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CREATED:20231115T040114Z
LAST-MODIFIED:20240315T182703Z
UID:10000015-1706524200-1706531400@thedrawingfoundation.org
SUMMARY:The Met Curatorial Conversation: Nature and Narrative: Exploring British Drawings
DESCRIPTION:This curatorial conversation is inspired by the exhibition British Vision\, 1700–1900: Selections from the Department of Drawings and Prints\, on view from December 7\, 2023 through March 5\, 2024. The show celebrates recent additions to The Met’s collection by British artists who worked across two centuries\, from 1700 to 1900. Landscape is a focus here\, with the genre becoming closely allied to the growing popularity of watercolor during this period. Around 1760\, artists like Paul and Thomas Sandby\, Francis Towne\, and Thomas Jones–all of whom painted settings in nature–began to explore the medium’s expressive potential. In the nineteenth century\, dedicated watercolor societies were established and held regular exhibitions to promote their members’ work. Increasingly developed and poetically resonant compositions sought to challenge the preeminence of oil painting. \n\n \nPresentation on the study and collecting of British drawings by three specialists of British art: \nRefining Constable: Two case studies from the Collections of The Metropolitan Museum of Art Anne Lyles\, Independent Art Historian and Curator\, British Art ca. 1790–1850 \n“Remarkable designs”: Simeon Solomon’s Pre-Raphaelite Drawings Roberto C. Ferrari\, Curator of Art Properties\, Columbia University \nBuilding a Collection of British Drawings and Watercolors at The Met Constance McPhee\, Curator\, The Metropolitan Museum of Art \nFollowing the Curatorial Conversation\, attendees are invited to view the exhibition\, British Vision\, 1700–1900: Selections from the Department of Drawings and Prints on view in Gallery 690. \nThis event is organized by The Drawing Foundation in association with Master Drawings New York 2024 and is made possible through the generous support of CHRISTIE’S. \n  \n                   \n  \n  \nImage: Alfred William Hunt (British\, 1830–1896)\, Snowdon\, after an April Hailstorm \, ca. 1857\, watercolor. Harry G. Sperling Fund\, 2016\, The Metropolitan Museum of Art\, 2016.597
URL:https://thedrawingfoundation.org/event/the-met-curatorial-conversation-british-drawings-2024/
LOCATION:Sacerdote Lecture Hall\, The Metropolitan Museum of Art\, 1000 5th Avenue\, New York\, NY\, 10028\, United States
CATEGORIES:Events,Recordings
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