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X-WR-CALDESC:Events for The Drawing Foundation
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DTSTART;TZID=America/New_York:20261022T100000
DTEND;TZID=America/New_York:20261022T120000
DTSTAMP:20261029T050922Z
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SUMMARY:ON DRAWINGS 2026 - Exhibition Tour & Study Room Visit at The Whitney
DESCRIPTION:Focus on Roy Lichtenstein’s drawings: Study Room Visit and Exhibition tour of Roy Lichtenstein: 1997\nLed by David Crane\, Curatorial Research Associate\, Nakai Falcón\, Curatorial Assistant\, and Maya Davis\, Curatorial Fellow\, Whitney Museum of American Art \nJoin us for a morning focused on Roy Lichtenstein’s drawings. We’ll start in the Whitney’s study center to view a stunning selection from the collection. After some close looking and discussion about the artist’s drawing practice and use of materials\, the group will move to the galleries to explore Roy Lichtenstein: 1997\, a newly-opened exhibition of works on paper by the artist installed to coincide with the major Lichtenstein retrospective (Roy Lichtenstein: Like New) also on view in the museum. Visitors will be free to remain at The Whitney after the group visit. \n___ \nRoy Lichtenstein: 1997\nOctober 11\, 2026 – June 1\, 2027\nExhibition details: \n\n\n\nIn 1997\, at the age of seventy-three\, Roy Lichtenstein (1923–1997) was as innovative and productive as ever. In addition to his studio painting practice\, he was working on a variety of adventurous projects\, among them two mural commissions\, several large-scale sculptures\, and a new series of prints. Decades after his paintings inspired by comics and other images of American consumer culture helped usher in the Pop art era\, Lichtenstein began to expand his palette of mostly primary colors\, adding vibrant highlights of mint green and turquoise\, coral and cyan. He also started to make work without his signature bold black outlines\, resulting in images that respond to the aesthetics of the early digital age. At the same time\, he continued to reuse images\, such as pyramids and brushstrokes\, from his own work and to quote an array of visual references\, including iconic works by Leonardo da Vinci and Henri Matisse\, as he had done throughout his career. \nLichtenstein fell ill in August 1997 and died unexpectedly the following month due to complications from pneumonia\, leaving a number of works unfinished. Some were fabricated or completed posthumously\, while others exist only as sketches. By bringing together materials related to these projects\, many from the Whitney’s collection\, Roy Lichtenstein: 1997 offers insight into the range of the artist’s late experimentation and illustrates his ongoing interest in new technologies and their effects on image making. \nRoy Lichtenstein: 1997 runs in conjunction with the major exhibition Roy Lichtenstein: Like New\, on view from October 11\, 2026 – May 10\, 2027. \nThe exhibition is organized by David Crane\, Curatorial Research Associate\, and Nakai Falcón\, Curatorial Assistant\, Whitney Museum of American Art \n___ \nThis event is open to members of The Drawing Foundation. Log in to your membership account to register or sign up to become a member today. \n\n\n\nThis event is organized by The Drawing Foundation in partnership with the Whitney Museum of American Art as part of On Drawings 2026. \n           \nImage: Roy Lichtenstein (1923-1997)\,  Artist’s Studio “Look Mickey” (Study)\, 1973 (detail). Colored pencil\, graphite pencil\, acrylic and collage on paper. Whitney Museum of American Art\, The Roy Lichtenstein Study Collection\, gift of the Roy Lichtenstein Foundation. © Estate of Roy Lichtenstein \n 
URL:https://thedrawingfoundation.org/event/on-drawings-2026-exhibition-tour-study-room-visit-at-the-whitney/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://thedrawingfoundation.org/wp-content/uploads/2026/09/Lichtenstein_OnDrawings2026-e1790656897951.png
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DTSTART;TZID=America/New_York:20251106T113000
DTEND;TZID=America/New_York:20251106T130000
DTSTAMP:20251208T031905Z
CREATED:20250930T042439Z
LAST-MODIFIED:20251208T031905Z
UID:10000128-1762428600-1762434000@thedrawingfoundation.org
SUMMARY:ON DRAWINGS 2025 - Exhibition Tour & Study Room Visit at The Whitney
DESCRIPTION:Study Center visit focused on the drawings of Claes Oldenburg and\nExhibition Tour of the installation Claes Oldenburg: Drawn from Life\nLed by Antonia Pocock\, Curatorial Assistant\, Whitney Museum of American Art\nand Eli Harrison\, Curatorial Fellow\, Sondra Gilman Study Center\, Whitney Museum of American Art \nThis event is open to members of The Drawing Foundation. Log in to your membership account to register or sign up to become a member today. \n___ \nMore about the exhibition: \n\n\n\nBest known for his sculptures of everyday objects rendered in unexpected textures or dimensions\, Claes Oldenburg (1929–2022) once proclaimed\, “I am for an art that takes its form from the lines of life itself.” His innovations in sculpture emerged out of his drawing practice\, which enabled him to swiftly record and transform the contours of the world around him. Claes Oldenburg: Drawn from Life focuses on the artist’s drawings from the 1960s in which he playfully reimagined the spaces—streets\, stores\, homes—and objects of daily life. This selection from the Whitney’s extensive collection of Oldenburg’s works on paper attests to his wide range as a draftsman and expanded definition of life drawing. \nOldenburg’s earliest body of work in this exhibition\, The Street (1959–60)\, channels influences from everyday modes of drawing\, such as urban graffiti and children’s art\, into visceral portrayals of city life. Oldenburg turned to comics and advertising illustration as inspiration for his two subsequent series\, The Store (1961–64) and The Home (1963–69)\, which include exuberant drawings of food\, clothing\, and household appliances that informed his colorful\, cartoonish “soft” sculptures. In 1965 Oldenburg began sketching enlarged versions of his favorite commonplace items—including fire hydrants\, baked potatoes\, and teddy bears—towering over cityscapes. Although these works were titled Proposed Colossal Monuments (1965–69)\, they remained fanciful notions until Oldenburg began building large-scale\, outdoor sculptures in 1969. \nClaes Oldenburg: Drawn from Life is organized by Antonia Pocock\, Curatorial Assistant. \n___ \n\n\n\nThis event is organized by The Drawing Foundation in partnership with the Whitney Museum of American Art as part of On Drawings 2025. \n           \nImage: Claes Oldenburg (1929-2022)\, Typewriter Erasers—Position Studies\, 1970. Colored pencil and watercolor on paper. Whitney Museum of American Art\, New York; gift of The American Contemporary Art Foundation\, Inc.\, Leonard A. Lauder\, President. © Claes Oldenburg \n 
URL:https://thedrawingfoundation.org/event/on-drawings-2025-program-tour-the-whitney/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://thedrawingfoundation.org/wp-content/uploads/2025/09/Oldenburg-Whitney-2002_62_cropped-e1759204947659.jpeg
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DTSTART;VALUE=DATE:20250705
DTEND;VALUE=DATE:20250803
DTSTAMP:20260812T031305Z
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UID:10000105-1751673600-1754179199@thedrawingfoundation.org
SUMMARY:Claes Oldenburg: Drawn from Life
DESCRIPTION:Best known for his sculptures of everyday objects rendered in unexpected textures or dimensions\, Claes Oldenburg (1929–2022) once proclaimed\, “I am for an art that takes its form from the lines of life itself.” His innovations in sculpture emerged out of his drawing practice\, which enabled him to swiftly record and transform the contours of the world around him. Claes Oldenburg: Drawn from Life focuses on the artist’s drawings from the 1960s in which he playfully reimagined the spaces—streets\, stores\, homes—and objects of daily life. This selection from the Whitney’s extensive collection of Oldenburg’s works on paper attests to his wide range as a draftsman and expanded definition of life drawing. \nOldenburg’s earliest body of work in this exhibition\, The Street (1959–60)\, channels influences from everyday modes of drawing\, such as urban graffiti and children’s art\, into visceral portrayals of city life. Oldenburg turned to comics and advertising illustration as inspiration for his two subsequent series\, The Store (1961–64) and The Home (1963–69)\, which include exuberant drawings of food\, clothing\, and household appliances that informed his colorful\, cartoonish “soft” sculptures. In 1965 Oldenburg began sketching enlarged versions of his favorite commonplace items—including fire hydrants\, baked potatoes\, and teddy bears—towering over cityscapes. Although these works were titled Proposed Colossal Monuments (1965–69)\, they remained fanciful notions until Oldenburg began building large-scale\, outdoor sculptures in 1969. \nClaes Oldenburg: Drawn from Life is organized by Antonia Pocock\, Curatorial Assistant. \n \nImage: Claes Oldenburg (1929-2022)\, Bicycle on Ground\, 1959. Whitney Museum of American Art.
URL:https://thedrawingfoundation.org/event/claes-oldenburg-drawn-from-life/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://thedrawingfoundation.org/wp-content/uploads/2025/07/whitney-oldenburg.jpg
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